An Afternoon with Virginal & Friends

A Boston Early Music Festival Fringe Concert

Cambridge Society for Early Music is back!

In its first public concert since 2023, the Cambridge Society for Early Music presents a program of Elizabethan keyboard music featuring the renowned harpsichordists Peter Sykes and Peter Watchorn. The concert is presented in honor of the late James S. Nicolson, who served as President and Artistic Director for CSEM until his passing in 2024 and whose rare mother-and-child double virginal is featured in the performances. Both Peter Sykes and Peter Watchorn are winners of CSEM’s Erwin Bodky prize, Sykes in 1993 and Watchorn in 1985, which over three decades until 2009 was presented to over sixty young performers, many of whom went on to become luminaries in the field of early music. They have chosen a selection of works by Giles Farnaby, William Byrd, J. P. Sweelinck, Thomas Morley, William Tisdale and John Bull that represent highlights from the Elizabethan Era considered the Golden Age of English music. In addition to the virginal, which gained in popularity in England during this period, they perform on a two-manual William Dowd 17-century aligned Ruckers harpsichord.

Program:

“Mein junges Leben hat ein End”

in d minor, SwWV 324

 

Lachrymae Pavan in a minor,

FWB CCXC

 

Pavan and Galliard Ph. Tr in

F major, FWB XCII

 

Praeludium FWB C and Fantasia in

a minor, FWB LII

 

Performed by Peter Sykes

 

Fantasia in d minor, MB12

 

 

Pavan & Galliard: Sir William

Petre, MB 3 Walsingham, MB 8

 

Nancie, FWVB XII

 

 

Mrs. Katherin Tregians Paven,

FWVB CCXIV

 

Performed by Peter Watchorn

Jan Pieterszoon Sweelinck

(1562-1621)

 

Giles Farnaby

(1560-1640)

 

William Byrd

(1539-1623)

 

William Byrd

(1539-1623)

 

 

 

John Bull

(1562-1628)

 

William Byrd

(1539-1623)

 

Thomas Morley

(1557-1602)

 

William Tisdale

(1570-1605)

An Afternoon with Virginal & Friends

Saturday, June 14th at 2:30pm
Goethe-Institut Boston
170 Beacon St.
Boston, MA 02116, USA

Questions?
Email us or contact 617-468-8273

$25 suggested donation

Peter Sykes is a core faculty member and principal instructor of harpsichord in the Historical Performance Department of the Juilliard School in New York City and teaches organ and harpsichord at Boston University. He performs extensively in recital on the organ, harpsichord, and clavichord, and has made ten solo recordings on all three instruments in repertoire ranging from Buxtehude, Couperin and Bach to Reger and Hindemith and his acclaimed first-ever organ transcription of Holst’s “The Planets.” A founding board member and current president of the Boston Clavichord Society as well as past president of the Westfield Center for Historical Keyboard Studies and board member of the Cambridge Society for Early Music, he is the recipient of the Chadwick Medal (1978) and Outstanding Alumni Award (2005) from the New England Conservatory, the Erwin Bodky Prize (1993) from the Cambridge Society for Early Music, and the Distinguished Artist Award (2011) from the St. Botolph Club Foundation.
Current CSEM Board Member

Peter Watchorn Australian-born Peter Watchorn has lived in Cambridge, MA for the past 38 years, having first won the Erwin Bodky Award during a visit in 1985. Since that time he has achieved international recognition as a harpsichordist, especially for his performances and recordings of the complete solo output of J. S. Bach. In addition he created the CD label Musica Omnia, and has produced more than 80 major releases for both established and new artists, both performers and composers in Europe, Canada and the USA. The last major student of the Viennese harpsichordist, Isolde Ahlgrimm (1914 – 1995), he published her biography in 2006 (London, Routledge, 2006), and Vienna (Boehlau, 2017). Since 2008, Peter Watchorn has been a faculty member of Boston College.