CSEM Presents:

Arrow Quartet

Viennese Impressions - String Quartets from the Age of Enlightenment

CSEM is proud to present Arrow Quartet, an up-and-coming string quartet founded in 2021 by students from Juilliard’s Historical Performance program.

The young quartet brings a passion for expanding the classical repertoire and discovering historical intersections between classical chamber works and music that was performed outside of the concert hall. Viennese Impressions centers Mozart’s string quartet in e-flat, k. 428, one of six quartets he dedicated to Haydn, often referred to as “the father of the string quartet.” From there, the program explores lesser-known composers Guiseppe Cambini and Franz Xaver Richter, prolific and popular in their time, who also contributed to the development of the string quartet genre.

 

This program is supported in part by a grant from the Weston Cultural Council, a local agency which is supported by the Mass Cultural Council, a state agency.

Tickets

In an effort to make our concerts accessible to all, tickets for our three 2025-26 Concert Season programs will be Pay-What-You-Can, with a suggested donation of $25/person. 

We hope you will consider making a donation at a higher level if you’re able, to support us in bringing acclaimed ensembles and musicians to the Greater Boston area, providing engaging public programs, and welcoming audiences of all means.

Watch our Pre-Concert Introduction Talk with Dr. Thomas Forrest Kelly

Performance times:

Friday, May 22, 2026 at 7:30pm
University Lutheran Church
66 Winthrop Street, Cambridge

Saturday, May 23, 2026 at 4:00pm
Village Church in Weston
130 Newton Street, Weston

Sunday, May 24, 2026 at 4:00pm
St. John’s Episcopal Church
705 Hale Street, Beverly Farms

Questions?
Email us or contact 617-468-8273

About the ensemble:

The Arrow Quartet is dedicated to creating a joyful and inclusive chamber music experience with an eye towards historically informed performance practice. As an ensemble specializing in the music of the past, the quartet aims to discover the historical intersections between classical chamber music and music that was performed outside the concert hall. Its members work to understand the ways that musical languages percolate across space and time, and how these languages can inform our view of the past, present, and future.

The musicians of the Arrow Quartet are themselves informed by an array of musical styles and traditions. Their collective experience encompasses formal conservatory training, traditional fiddle music, music education, and historical performance. This diversity of influences makes its way into the quartet’s work as an ensemble, inspiring performances that put inclusivity front and center. The quartet strives to create an atmosphere where listeners can experience music in any way that feels intuitive. Its programs include repertoire chosen from a wide variety of temporal, geographical, and sociocultural locations. The Arrow Quartet seeks to forge connections through music, never to deepen rifts.
www.arrowquartet.com

Program:

String Quartet in G minor, Op. 5 No. 5b (17’) – Franz Xaver Richter (1709-1789)
Larghetto
Allegro Spiritoso
Andantino Grazioso
Tempo di Minuetto

String Quartet in F Major, T.171 (25’) – Giuseppe Cambini (1746-1825)
Allegro Maestoso
Larghetto Cantabile
Minuetto
Allegro ma non tanto

intermission

String Quartet in E-flat Major, K. 428 (37’) – Wolfgang Amadeus Mozart (1756-1791)
Allegro non troppo
Andante con moto
Menuetto
Allegro Vivace

Amelia Sie
Violin

Based in Chicago, violinist Amelia Sie is a virtuosic and adventurous performer on both baroque and modern instruments. As a historical performer, she has appeared on stage with Philharmonia Baroque Orchestra, Les Arts Florissants, and Carmel Bach Festival, among others. Equally comfortable on the modern violin, Amelia made her first public appearance with the Seattle Festival Orchestra at the young age of 8 and has since performed as a soloist with orchestras including the Seattle Symphony and the Coeur D’Alene Symphony.

Along with Alyssa Campbell, Jimmy Drancsak, and Chelsea Bernstein, Amelia is a founding member of the Arrow Quartet, a historically informed ensemble that explores and performs music across genres with the goals of expanding the historical performance music canon and creating a more inclusive concert experience. Engagements include performances for the MidSummer Music Series in Nova Scotia, GEMS Midtown Concerts, Roger Williams University, and The Cambridge Society for Early Music.

Amelia is sought-after for her exuberant, fiery performances and diverse programming. Previous engagements include solo recitals with Gotham Early Music Scene, Early Music America, and The Bohemians: New York Musicians’ Club, as well as solo performances with the Albany Symphony and Juilliard415. This 2025-26 season, Amelia looks forward to performances with Ars Musica Chicago, Bach in the City, Newburyport Chamber Music Festival, and the Handel and Haydn Society.

Amelia received her BM and MM in Violin Performance from New England Conservatory, where she studied with Paul Biss, Miriam Fried, and Soovin Kim. She graduated from the Juilliard School in 2023 with a MM in Historical Performance, where she studied with Cynthia Roberts, Elizabeth Blumenstock, and Rachel Podger. Amelia most recently completed her tenure as a 2023–2024 Mercury Chamber Orchestra Mercury-Juilliard Fellow, as well as a 2023–2025 Handel and Haydn Society Stone Fellow.

Amelia proudly performs on a Peter Westerlund modern violin and a Timothy Johnson baroque violin.

Alyssa Campbell
Violin

Alyssa Campbell is a violinist and violist from the Detroit area currently based in Paris, France. She has a Masters Degree in Historical Performance from The Juilliard School and a Bachelor of Music in Violin Performance from the University of Michigan School of Music, Theatre & Dance. Her primary instructors include Cynthia Roberts, Elizabeth Blumenstock, Robert Mealy, Aaron Berofsky, and Joseph Gascho.

In 2024, Alyssa received an Artist Certificate at the Royal Conservatoire of The Hague as a recipient of Early Music America’s Margriet Tindemans Early Strings Scholarship. There, she studied with Enrico Gatti and Kati Debretzeni, focussing on 16th and 17th century Italian music and the art of diminution.

With performances across the United States and Europe, Alyssa has worked with prominent conductors including Maasaki Suzuki, William Christie, Richard Egarr, Lawrence Cummings, and Laurence Equilbey. She has performed with ensembles including Les Arts Florissants, ARTEK Early Music, the Handel & Haydn Society, Arcangelo, The American Classical Orchestra, Philharmonia Baroque Orchestra, and Juilliard415.

As a baroque violinist, Alyssa focusses on music spanning the 16th to 19th centuries and aims to expand the field of early music to include works by composers that are underrepresented in the field.

Alyssa also maintains a private studio for violin, viola, and piano, teaching students of all ages and experience levels. When not playing music, Alyssa enjoys collecting vintage sheet music, eating spicy food, and kayaking.

Jimmy Drancsak
Viola

Jimmy Drancsak is a versatile musician, teacher, and arts administrator based in New York City. With over 15 years of experience, he offers a diverse range of musical services as a violinist, violist (both modern and Baroque), as well as a fiddler. He can be found performing with a large number of ensembles across the United States and Europe.

As a teacher, Jimmy is proud to hold a high standard for his private studio, teaching both violin and viola. Musicality, technique, and clear practice structure are important qualities in his studio. With experience teaching in the NYS public schools, NYC charter schools, and after school programs, he brings a tremendous amount of valuable expertise to his studio.

Adhering to his love of leadership, Jimmy has also taken on roles as an arts administrator. His most recent positions have included co-director of the Juilliard Fiddle Club, Education and Community Engagement Assistant at Young Concert Artists, and the curation of two marathon-concert programs at Columbia University’s St. Paul’s Chapel.

Chelsea Bernstein
Cello

Dr. Chelsea Bernstein enjoys an active and varied career as a specialist in the performance of modern cello, historical cello, and viola da gamba. Chelsea proudly serves as the resident cellist of the Newport String Project, where she enjoys an active performing season with the resident ensemble, the Newport String Quartet. In addition to her work with NSP, Chelsea performs regularly as a multi-instrumentalist with the Apple Hill Center for Chamber Music, Four Seasons, Smithsonian Chamber Music Society, Washington Performing Arts, Les Arts Florissants, American Bach Soloists, Gotham Early Music Scene, and Music Before 1800 concert series. Chelsea holds advanced performance degrees from The Juilliard School and the University of Maryland, and serves on the music faculties of Salve Regina University and St. Georges School, in Newport, Rhode Island.